Tag Archives: Ava Bloomfield author

And the novella is live!

Bazinga!

Never Grow Up - High Resolution

Never Grow up is available now on Amazon. Remember I told you ’bout it the other day?

“It’s a funny, upbeat coming of age story about Jude, a tomboy who never wants to grow up. She just wants to live. It’s a quirky little read, filled with letters and texts and lamenting teen rants with an optimistic little sister, a swiftly changing best friend, a despairing dad, a jet-setting older sister and a band called The Manic Flamingos.

This sweet tale is told in just over 21,000 words.”

I also told you it’d be up for 99p, and it is. Alternatively, ask me for a copy! I’ll happily oblige. ❤

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My First Interview!

My first author interview! Eeep!

It’s terrifying how fast this has all come around. It was only during the summer just gone that I made the massive decision to self publish my books. To me, it was like the fate of my future on my shoulders. I know, melodramatic much? But still, there I was, thinking of all those brave and passionate peeps out there who ‘go it alone’ and wondering if I’d ever pluck up the courage to do it myself.

Well, on January 6th, I made that first step. Honest is out there, and it’s being read and reviewed. More humbling than that is the fact its first review got five stars! This was from somebody who literally just loves reading and reviewing books, and after just a couple interactions on twitter, she read my entire book in just a day or so. Next thing I know, she’s given me a 5 star review and offered me an interview spot on her blog.

To me, that’s just the coolest thing ever. It’s like fancy dress. I  get to put on my fancy-shmancy author clothes and answer questions like a grown-up!

So, thanks to Liisur, I’ve started making baby steps. The support of the book bloggers and the self-publishing community is the thing that really astonishes me. There’s no one-upmanship at all; just lots of people willing to help a brother out. So far, my experience has been really pleasant and I’m so grateful for those people who have contacted me to get a copy of Honest; especially those who started reading right away.

I’ve said it to them, and I’ll say it now: even a 1 star review would be worth everything to me. Even if you hated my work and thought it was a steaming pile of cow dung, I’d still be a happy camper. All I ever wanted was to write books and for people to read them. If you’ve read and considered my work enough to actually review it, then you’re a star.

Of course, I won’t be saying that when the pitchforks come out, but we’ll cross that bridge when we come to it, hahaha…eerrrrh…yeah.

Anyway, if you fancy getting to know me a little bit better, and wouldn’t mind hearing about my writing process and what inspired my first book, you can find it HERE on the lovely Liisur’s blog!

In the interview, I talk a little bit about my other books too, starting with All Girls Cry. That’s coming your way soon, folks, though I don’t want to make any promises time-wise. Soon means soon. Suffice it to say, I made the right choice about the order in which to release them, or so I think. All Girls Cry is about as popular as Honest has been on Goodreads, so I’m sure it’s one of the most sought-after from my little collection.

Of course, the fact that Leap and Beyond haven’t had proper covers this whole time hasn’t helped to get them much exposure. Leap does have a gorgeous cover now, but Beyond is taking a little more time to find the right one. That’s no matter, though, because Beyond is also still being proofread by the lovely Dayna at Secret Lives of Fiction Lovers, so in a funny ol’ way, it’s all worked out!

Beyond is really special, though, so it’s worth the wait. It’s my most “romantic” (OooOOO) book and I’ve described it in my interview with Liisur as ‘a bitter-sweet tale of letting go’, so that gives you an idea.

So there we have it. Things be a’brewin’, folks!  I’ll be hopefully doing a couple of guest blogs in the very near future too, so look out for those. Or don’t. I could very well bore you to tears. In which case, as you were!

‘HONEST’ IS LIVE ON AMAZON! Free copies available!

WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA?!

Yes! It’s here! It’s here!

Honest - High Resolution

That book with the weird girl on the cover that I’ve been banging on about since Halloween? Yeah, that one! It’s finally up on Amazon, at the low, low, low, lowly, loathesome…er, low price of £1.99. Or $2.99 if y’all are across the pond.

I just can’t believe it, folks. One down, four to go.

Honest is a weird little book. It’s quirky, it’s different; it even has an unreliable narrator. If you fancy reading something a little bit ‘wooooooaaaah’, or a little bit ‘wheeeeeeeeeeeeeeey!’ Then please, by all means (I beg of you) download a sample and give it a whirl. Alternatively, you could live your life on the edge and actually put down some cold, hard cash.

Yet ANOTHER alternative is you leave me a comment, or contact me on Twitter, or send me a li’l email, and I’ll give you either an EPUB or MOBI copy for free.

That’s right. Oh yeah. F-R-E-E.

All I ask is that you give me a little star rating or even a review if you’re feeling generous; on Goodreads, on Amazon, on your blog – anywhere you fancy. It’s up to you.

Obviously I’ll  be doing this for a limited time, but I’m not fussed about how long it takes. I’m just super-duper excited to get the ball rolling. So even if you read my book and think it’s the biggest, stinkiest pile of pants you’ve ever had the displeasure of looking at, I’d still love that review. Seriously! Any review is a good review.

All I want is for people to read my work. That’s literally it, folks.

Oh yeah. S’called rock bottom.

But seriously, guys, I’m majorly stoked about this. ‘Honest’ is the first of four books I’ll be bringing out this year, and let me tell you, this is just the beginning. Wherever I’m going with this, I’m happy to go there. Up, down, wiggledy-woo, whatever.

So please join me on this magical, mystical journey – or stand on the sidelines where you can point and laugh. I just like having you around!

Hit me up on Goodreads and Twitter, get yourself a free copy, or just get in touch for a chat. I have something to talk about now, you see! It’s a little thing called a BOOOOOOOOOOOOOOOOOOOOOOOOOK! *happy dance*

I’ll be hopefully doing some guest posts and interview-majiggys and all that fun stuff soon, so please do pop back from time to time to see what I’m up to.

Toodles!

Ava

Amazon

Goodreads

Twitter

Cover Reveal: LEAP!

Wahooo!

Did you have a good Christmas and New Year? We at the Bloomfield household did!

In fact my year has started off rather well. Not only did my invoice for my last month of 2014 look *fantastic* considering I had a whole 2 weeks off, plus time off for Christmassy-related stuff, but I also just ordered a new cover this weekend and it’s ALREADY HERE.

Yes! That’s right! Those ugly MS-Paint place-holder covers are almost totally gone. I wish I’d never bothered with them in the first place but I couldn’t resist. I  was too excited to get the books up on Goodreads.

So once again I found myself shopping at Goonwrite.com, by far the best value for money I’ve ever come across for covers, and amazing quality too. I ordered my cover on Friday night – paid for two, in fact, because you get a discount and the dude is happy to keep a “credit” on file for you so that you can browse his new range of covers as and when they come in – and found it in my inbox this morning.

Is that amazing service or is that amazing? Hot-dawg.

I don’t know why I’m talking like that. I’m British. Must be all that sparkly customer servicey stuff I’ve been blathering on about. 😉

Without further waffling, here’s the sexy cover for LEAP!

Leap - High Resolution

Leap was such a tough one to find a cover for. I wanted it to have a retro-feel without being too camp, and most of all it needed to feel like a modern novel about the past, as opposed to a novel stuck in the past. Kat is definitely a modern 17 year old, despite its settings in 1997 and 1979, and the cover needed to reflect that.

There’s also the love-story elements and the concept of a girl being caught between two places; both in terms of time-period and in her personal life. She’s at a crossroads physically, emotionally, mentally – the whole shabang. Remember being 17? Yeah, that!

So it took a LOT of thinking outside the box to try and figure out how to pull all those elements together. It took me forever to actually stumble upon this cover, which I think is just perfect. It’s moody, it’s reflective, it’s contemporary, and it’s even complete with retro-looking clothes – almost fancy-dress style, which is perfect – and the model looks really rock ‘n’ roll. I particularly love her hair-do; it gives the impression of belonging to two styles and two eras, right? Get it?!

Another thing I loved about the model is she’s such an individual. Kat definitely prides herself on being a smart cookie who lives her life a little on the edge. She’s an A-grade student from a council flat in Peckham, who befriends a pair of punks from 1979 and sits in the loos with them smoking and drinking tins of Party Four. *Believe* me when I tell you how tough that was to personify visually.

You’re beginning to understand why I chose a stupid picture of a record player for the place-holder cover, right? Riiiight.

So there we have it. I hope you love the cover as much as I do, and here’s hoping it inspires more readers to click the ol’ “to read” button on Goodreads! That is, when I add it, of course. Gosh. I wasn’t born for administrative jobs, I can tell you that for nothing, duckies.

Ciao,

Ava

My decision to self-publish

This is a hard blog post to write.

Years ago, when I was about 17, I decided that I was going to follow my original dream of becoming an author – or at least a part-time author while I pursued the ever-elusive “career”. There weren’t many “careers” for girls like me, who hate long office hours, databases, spreadsheets and, worst of all, people. I didn’t want to play bullshit-bingo all my life with someone who took their middle-management job far too seriously.

And it wasn’t until about March of this year that I discovered I didn’t have to. It took months to build up trust with the company and get my invoices up to graduate wages, but all that hard work was worth it. So the career thing looks like it won’t be so bad after all.

The writing was always going to be a problem. I desperately wanted to  be traditionally published. My first published story – and a few after – was some wannabe-horror tripe that was picked up by a small press who have since gone right out of business. Later, I wrote “romance” (eerr…actually begins with an E) under a pen-name and sold my first story for £50. A while later, I sold another to Harper Collins for £75.

By that point, though, I’d spent three years getting my degree (an arts degree, of course) which I achieved highly in, but I still hadn’t got that publishing deal.

“Why not ME?” I thought. “There are women my age selling books. What’s up with that?”

Unfortunately, it took a long time to realise that the recession had put a LOT of companies in the red. Or is it in the black? Red? Black? Oh, I don’t know. I told you I was crap with spreadsheety stuff. They were firmly up shit creek, anyway, so the good old days of Stephen King getting hundreds of dollars for short stories, and the days when publishers built-up writers over the course of years, finally pooffed out all together. Today, you have to be an instant best-seller, and if you’re not, you’ll never get another book deal unless you’re very, very lucky.

To discover this was devastating. It took a lot of wishful thinking and a ton of rejections to realise that none of this was my fault. My novels are fine. They aren’t crap. The quality of a concept or the writing itself matters less and less in today’s world, and unless you’re already famous, you need to have SOMETHING to pull out the hat to make yourself a desirable writer for publishers.

I don’t know what some of these people do; I really don’t. I don’t know what gets them the golden ticket. But I do know that their rights are restricted more than they were in the good old days, the advances small if not non-existent, and that feeling of a freshly printed novel in their hands wiped away by “ebook-first”. Sales, too, aren’t always guaranteed. Many massive publishing companies – appearing successful – have been bought out.

So even for those brilliant Charlie Buckets, the golden ticket wasn’t a promise. It was just a chance, and if you don’t make it, then your golden ticket won’t even get you a Snickers at the vending machine.

Self-publishing, for a long time, was considered vanity-press – the last attempts of the failures and the terrible writers and the arrogant sods who think everyone should understand their genius. Some people today still think that, because even when ebooks became big, it took  a long time for authors to see it as a viable option.

But then they did. We saw people like Jackie Collins deciding to self-publish. We saw people making  great, steady sales of their work. We saw people become millionaires. We saw people getting picked up by great publishing houses for good deals like the old days.

We’re still seeing that. Even weirder, people are reading self-published work. They aren’t just assuming that the stories must be terrible. Why? Because things have changed.

I used to think very, very negatively about self-publishing. I vowed never to let myself make that “last attempt of the failure”, and I was always terrified that one day, I would. Except I’m not terrified any more.

If the only benefit of getting a publishing deal, today – assuming you’re publishing Joe Bloggs’ debut – is a thorough editing, a pretty cover and…that’s it, then what do self-publishers have to lose?

“You lose first publishing rights. It becomes a re-print that no agent or publisher will touch,’ says the Literary Agent.

Well, they would say that. Self-publishers cut out the middle man. But the fact remains that self-published authors who make great sales are probably around the same ratio as traditionally-published people who make great sales. JUST  because you get a “book deal” doesn’t mean you’re going to sell well.

And as we’ve seen with both smaller presses and the big 5, that BIG BREAK won’t stop them from kicking you to the curb when their funds run out, or your book sells poorly. Some of those authors will get better deals; some will use the platform to further themselves. Many will go traditional AND self-publish. Most will just go back to being “un-published”.

Un-published, after all that?
Back in the day, authors always sold badly. They were unknown. It took time to build them up. Today, it appears, there is no time. It’s make or break, as they say.

So it’s taken a lot of thought, and a lot of observation, to realise that nothing is crystal clear any more, and as much as people insist that you must “choose your path”, there still is no straight path. It doesn’t exist. However much the “experts” protests, we, the writers, are in the driving seat. We are allowed to go exploring. Why wait at the bus stop for a bus that went out of service yonks ago?

Many, many traditionally published authors are weighing up their options today. Many of them like to do both the traditional thing and the self-publishing thing. Why shouldn’t they? It’s their work. Writers needn’t be so f-ing grateful all the time. We’re not slaves.

What’s interesting, too, is that the writing industry is the only creative industry where it’s still frowned upon to go it alone. How much sense does that make?! Do musicians wait for the big break with their guitars locked in their bedrooms, or do they get out there, do some gigs, hand out flyers, and publish their own tapes?

What about artists? Do they only give their art to family and friends, or do they get on Facebook and Deviantart, hand out flyers, and show the world their art? Do they hide away or do they start selling? In fact, I think artists accepted indie writers way before most writers did. Self-publishing is a platform for artists too. “Indie” is no longer a dirty word for writers.

How else would anybody see what you can do?

Writers have always had to let their novels die on their hard drives, because if the BIG DEAL doesn’t come, then they’re worse than pond scum. Well, I think we all know that things are different now. Self-publishing is a viable option.

I think it was Amanda Hocking that changed my mind. NOT her sales – I’m aware that was a phenomenon, and I think she is too. But she did say something about the guy from Blink182 – she posted a video of it – and how their band started out. His advice was to never wait for the magic hand to come down, pluck you out, and make it all happen for you.

You have to show people what you can do. A handful of agents glancing over your cover letter just won’t cut it.

So that’s what I’m going to do. I’ve thought over it long and hard, and I am no longer going to do the self-pitying thing. I won’t do it. I won’t spend my life pining over the magic hand.

That doesn’t mean I don’t still like traditional publishing. That doesn’t mean I don’t want an agent. I’m still waiting for my turn. But that turn will never come unless I get my work out there. At the end of the day, I’d rather people were reading my work – even if only a couple ever pick up my books – than let them die on the hard drive.

The negative-thinking-pitfall is not one I’ll go tumbling into again. It’s unproductive and it only damages me. Do I deserve to be damaged? No.

Getting my work out there will at least showcase what I can do. Maybe it’ll get me that agent on day, or that traditional deal. I sincerely hope so. I’m just not pining any more. I am awarding myself some respect. If people can do start-up magazines and artists can showcase their art, and musicians can busk and sell their CDs and do their gigs, then writers can show off their books. Simple as.

I am an artist like any other, and I’m going to make my  little corner of the world shine.

So, folks – watch this space. I have one ebook just about ready to go, and the other three to follow. My plan is to get them all up at once, because multiple books, I believe – from my research – makes people take a second glance.

I’ll be documenting my journey here and explaining my various reasons for doing this, or that, or the other.

I’ll be doing it my way after all. Yippee!

By way of introduction…

Hello! Guten Tag! Aloha! Bonjour! Etc

 

Readers, nosers, boggers and ear-wiggers – welcome to my new blog, and thanks for popping by. Feel free to have a little snoop about! Here I  plan on blogging about my various bookish-related news; perhaps what I’m currently reading and, just maybe, what I’m currently writing.

You can find my completed novels – which are eagerly, desperately and most DEFINITELY searching for a home – in the “books” tab above.

Please note that whilst Ava Bloomfield’s novels remain so far unpublished and unrepresented – a crying shame! – Ava has had various works published under either her boring real-world name or another pseudonym. Mostly, these publications are short stories, either as stand-alone pieces or in anthologies for pro-paying venues, such as Harper Collins, for instance. Ava has also been published via online magazines, including articles and reviews, and likes to keep abreast of the goings-on in the publishing world. Mostly this includes conspiring with other hopefuls on Absolute Write, or simply Facebooking with other writers in the industry.

So you see, there’s a lot behind a name, and Ava is just another version of me; a dedicated spokesperson for my love of Young Adult.

 

If you think you’d be interested in representing me, or you would like to know more about my work, please contact me here: AvaBloomfield (at) Outlook (dot) Com.

 

See you laterz, mashed pertaterz.

 

Ava